editorial* blues suspension Wissenschaft pastoral(e)
torture or censorship Medial caesura (or lunch) ideology* jazz provisional or work in progress
any PoMo term used ironically or made fun of ontology or meaning* FREE SQUARE (in my)* forthcoming (louder, cooler paper with musical examples in next room plainly audible)
feminist* audio problem watermark Dahlhaus Rousseau
voice opera (comique, seria or Gran' ol') metonymy process mere anything
string quartet microfilm* a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey Dahlhaus Gesamt- kunstwerk
(louder, cooler paper with musical examples in next room plainly audible) masturbate* (has a powerpoint problem) ♪♩♪ or other syncopated rhythm sung hermeneutics*
Beethoven isorhythm FREE SQUARE metonymy suspended
masterwork anonymous ideology* (in my)* forthcoming Mozart
previous scholars* motet palimpsest Reformation or Restoration ♭6

Musicology Buzzword Bingo, 2008 Edition

Adorno any PoMo term used ironically or made fun of Reformation or Restoration Medial caesura (or lunch) modernity*
exchange Wagner genius (mis)-anything masterwork
film music mode FREE SQUARE blues process
Rousseau jazz (goes to piano) other member of panel obviously bored, asleep, or not paying attention a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey
Dahlhaus borrowing the New Musicology signify* isorhythm
hip-hop or rap torture or censorship any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" motet Wagner
jazz Dahlhaus Wissenschaft context editorial*
voice blues FREE SQUARE fugue, passacaglia, or canon masturbate*
hermeneutics* a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey ♭6 audio problem (more than 20 second passage in a modern foreign language)
process prolon- gation, Urline, or 5-line the Other Reformation or Restoration previous scholars*
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC