Bibliography

Manuscript Sources

See Manuscript Sigla.

Theoretical Sources

Jacopo de Bologna. "L’Arte del discanto misurato," in Marrocco, The Music of Jacopo da Bologna (q.v.).

Jacobus de Liége. Speculum Musicum, in Scriptorum de musica medii ævi nova series, vol. 2. Edited by Charles Edmond Coussemaker. Paris: A. Durand, 1864-1876.

Johannes Ciconia. Nova Musica and De Proportionibus. Translated and Edited by Oliver B. Ellsworth. Lincoln: University of Nebraska Press, 1993.

Marchetto da Padova. The Lucidarium of Marchetto of Padua. Translated and Edited by Jan Herlinger. Chicago: University of Chicago Press, 1985.

________________. The Pomerian of Marchettus of Padua: a translation and critical commentary. Edited by Ralph Clifford Renner. Thesis (M.A.), Washington University (St. Louis), 1980.

________________. Pomerium, Corpus Scriptorum de Musica, VI. Edited by Giuseppe Vecchi. n.p.: American Institute of Musicology, 1961.

Prosdocimus de Beldemandis. A treatise on the practice of mensural music in the Italian manner (Tractatus practicae cantus mensurabilis ad modum ytalicorum). Translated and edited by Jay A. Huff. Dallas: American Institute of Musicology, 1972.

Secondary Sources

Apel, Willi. French Secular Music of the Late Fourteenth Century. Cambridge, Mass.: The Medieval Academy of America, 1950.

________. The Notation of Polyphonic Music, 900-1600. Cambridge, Mass.: The Medieval Academy of America, 1953.

Avrin, Leila. Scribes, Script, & Books. Chicago: American Library Association, 1991.

Bent, Margaret. "New Sacred Polyphonic Fragments of the Early Quattrocento." Studi Musicali 9 (1980). pp. 175-79.

___________. "Some Criteria for Establishing Relationships Between Sources of Late-Medieval Polyphony." In Music in Medieval and Early Modern Europe, edited by Iain Fenlon. Cambridge: Cambridge University Press, 1981. pp. 295-317.

___________. "A Contemporary Perception of Early Fifteenth-Century Style: Bologna Q15 as a Document of Scribal Editorial Initiative." Musica Disciplina 41 (1987), pp. 183-201.

Bent, Margaret and Anne Hallmark. The Music of Johannes Ciconia, in Polyphonic Music of the Fourteenth Century, vol. 24. Monaco: Editions de l’Oiseau-Lyre, 1984.

Bernard, Philippa, Leo Bernard, and Angus O’Neill, editors. Antiquarian Books, A companion. Philadelphia: U. Penn Press, 1994.

Boorman, Stanley. "Limitations and Extensions of Filiation Technique." In Music in Medieval and Early Modern Europe, edited by Iain Fenlon. Cambridge: Cambridge University Press, 1981. pp. 319-46.

Brown, Howard Mayer. "The trecento harp." In Studies in the performance of late mediaeval music, edited by Stanley Boorman. Cambridge: Cambridge University Press, 1983.

Catholic Church. Antiphonale Monasticum pro diurnis horas. Paris: Desclee, 1952.

Cattin, Giulio. "Church Patronage of Music in Fifteenth-Century Italy," in Music in Medieval and Early Modern Europe, edited by Iain Fenlon. Cambridge, Cambridge University Press, 1981.

__________. "Ricerche sulla musica a S. Giustina di Padova ill’inizio del Quattro cento: Il copista Rolando da casale. Nuovi frammenti . . . ." Annales Musicologiques 7 (1977), pp. 17-41.

Cattin, Giulio and Francesco Facchin, editors. French Sacred Music, in Polyphonic Music of the Fourteenth Century, vol. 23 pt. A-B. Monaco: Editions de l’Oiseau-lyre, 1989-1991.

Clercx, Suzanne. Johannes Ciconia, un musicien liégois et son temps. 2 vols. Brussels: Palais des Académies, 1960.

Collett, Barry. Italian Benedictine Scholars and The Reformation: The Congregation of Santa Giustina of Padua. Oxford: Clarendon Press, 1985.

Coussemaker, Charles Edmond. Le manuscrit musical M. 222 C. 22: see Van den Borren, Charles.

Cunningham, Colin. "For the honour and beauty of the city: the design of town halls," in Siena, Florence, and Padua: Art, Society, and Religion 1280-1400: 2. Case Studies. Edited by Diana Norman. New Haven, Yale University Press, 1995. pp. 28-53.

Dannemann, Erna. "Ciconia," in Grove’s Dictionary of Music and Musicians, fifth edition, edited by Eric Bloom. 9 vols. London: Macmillan and Co., 1954. vol. 2, pp. 295-296.

Doyle, A. I. and M. B. Parks. "The production of copies of the Canterbury Tales and the Confessio Amantis in the early fifteenth century." In Medieval Scribes, Manuscripts & Libraries: Essays presented to N.R. Ker, edited by M.B. Parks and Andrew G. Watson. London: Scolar Press, 1978.

Fallows, David. "Ciconia padre e figlio." Rivista Italiana di Musicologia 9 (1976). pp. 171-7.

___________. "Landini cadence," in New Grove Dictionary of Music, edited by Stanley Sadie. 20 vols. London: Macmillan Publishers, 1980. vol. 10, p. 434.

Fellin, Eugene. "The Notation-Types of Trecento Music," in L’Ars Nova italiana del trecento 4. Edited by Agostino Ziino. Certaldo : Centro di studi sull'ars nova Italiana del Trecento, 1978.

___________. "A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce." Ph.D. diss., University of Wisconsin, 1970.

Fenlon, Iain. "Music and Society," in Man and Music: The Renaissance. Edited by Iain Fenlon. Englewood Cliffs, New Jersey: Prentice Hall, 1989. pp. 1-62.

von Fischer, Kurt. "Grazioso da Padova," in New Grove Dictionary of Music, edited by Stanley Sadie. 20 vols. London: Macmillan Publishers, 1980. vol. 7, p. 655.

_____________. "L’influence française sur la notation des manuscrits du Trecento." In Les Colloquies de Wégimont 2 (1955), L’ars Nova. Paris: Société d’Édition "Les Belles Lettres," 1959.

_____________. "Jacopo da Bologna," in New Grove Dictionary of Music, edited by Stanley Sadie. 20 vols. London: Macmillan Publishers, 1980. vol. 9, pp. 449-451.

_____________. "Landini, Francesco," in New Grove Dictionary of Music, edited by Stanley Sadie. 20 vols. London: Macmillan Publishers, 1980. vol. 10, pp. 428-434.

_____________. "The Manuscript Paris, Bibl. Nat. nouv. acq. frç. 6771." Musica Disciplina 11 (1957), pp. 38-78

_____________. "On the Technique, Origin, and Evolution of Italian Trecento Music." The Musical Quarterly 47.1 (January 1961). translated by Joel Newman. pp. 41-57.

_____________. "Reply to N. E. Wilkins’ Article on the Codex Reina." Musica Disciplina 17 (1963), pp. 75-77.

_____________. RISM Handschriften mit mehrstimmiger Musik des 14., 15., und 16., Jahrhunderts B/IV/4, 2 vols. München: G. Henle Verlag, 1972. (RISM B/IV/4)

_____________. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Bern: Verlag Paul Haupt, 1956.

_____________. "Trecentomusik-Trecentoprobleme." Acta Musicologica 30 (1958).

von Fischer, Kurt and F. Alberto Gallo, editors. Italian Sacred Music, in Polyphonic Music of the Fourteenth Century, vol. 12. Monaco: Editions de l’Oiseau-lyre, 1976.

_____________________________, editors. Italian Sacred and Ceremonial Music, in Polyphonic Music of the Fourteenth Century, vol. 13. Monaco: Editions de l’Oiseau-lyre, 1987.

Foligno, Cesare. The Story of Padua. London: J. M. Dent & Sons, Ltd., 1910.

Gallo, F. Alberto, editor. Il codice musicale Panciatichi 26 della Biblioteca nazionale di Firenze: Riproduzione in facsimile. Florence: L. S. Olschki, 1981.

Glaister, Geoffrey Ashall, Glaster’s Glossary of the Book. London: George Allen & Unwin Ltd., 1979.

Glixon, Jonathan. "Music at the Venetian Scuole Grandi, 1440-1540," in Music in Medieval and Early Modern Europe: Patronage, Sources, and Texts. Cambridge: Cambridge University Press, 1981. pp. 193-208.

Goldine, Nicole. "Fra Bartolino da Padova, Musicien de Cour." Acta Musicologica 34 (1962).

Green, Gorden K., editor. French Secular Music: Ballades and Canons, in Polyphonic Music of the Fourteenth Century, vol. 20. Monaco: Editions de l’Oiseau-lyre, 1982.

______________, editor. French Secular Music: Virelais, in Polyphonic Music of the Fourteenth Century, vol. 21. Monaco: Editions de l’Oiseau-lyre, 1987.

______________, editor. French Secular Music: Rondeaux and Miscellaneous Pieces, in Polyphonic Music of the Fourteenth Century, vol. 22. Monaco: Editions de l’Oiseau-lyre, 1989.

Günther, Ursula. "Anthonello de Caserta," in New Grove Dictionary of Music, edited by Stanley Sadie. 20 vols. London: Macmillan Publishers, 1980. vol. 1, pp. 465-466.

____________. "Jacob de Senleches," in New Grove Dictionary of Music, edited by Stanley Sadie. 20 vols. London: Macmillan Publishers, 1980. vol. 9, pp. 443-444.

Hallmark, Anne. "Some Evidence for French Influence in Northern Italy, c. 1400." In Studies in the Performance of Late Medieval Music, edited by Stanley Boorman. Cambridge: Cambridge University Press, 1983. pp. 193-228.

____________. "Gratiosus, Ciconia, and other Musicians at Padua Cathedral: Some Footnotes to Present Knowledge." In L’ars Nova Italiana del Trecento, no. 6, edited by Giulio Cattin. Atti del congresso internazionale "L’europa e la musica del Trecento." Certaldo: Polis, 1992.

Hamm, Charles. "Manuscript Structure in the Dufay Era." Acta Musicologica 34 (1962).

Harrison, Frank L., editor. Motets of French Provenance, in Polyphonic Music of the Fourteenth Century, vol. 5. Monaco: Editions de l’Oiseau-lyre, 1968.

Hyde, J. K. Padua in the Age of Dante. Manchester: Manchester University Press, 1966.

Layton, Billy Jim. "Italian Music for the Ordinary of the Mass, 1300-1450." Ph.D. diss., Harvard University, 1960.

Lockwood, Lewis. "Strategies of Music Patronage in the Fifteenth Century: the cappella of Ercole I d’Este," in Music in Medieval and Early Modern Europe: Patronage, Sources, and Texts. Cambridge: Cambridge University Press, 1981. pp. 227-248.

Long, Michael, "Musical Tastes in Fourteenth-Century Italy: Notational Styles, Scholarly Traditions, and Historical Circumstances." Ph.D. diss., Princeton University, 1980.

Marrocco, W. Thomas, The Music of Jacopo da Bologna. Berkeley: University of California Press, 1954.

__________________, editor. Italian Secular Music, by Magister Piero, Giovanni da Firenze, Jacopo da Bologna, in Polyphonic Music of the Fourteenth Century, vol. 6. Monaco: Editions de l’Oiseau-lyre, 1967.

__________________, editor. Italian Secular Music: Anonymous Madrigals and Cacce and the Works of Niccolo da Perugia, in Polyphonic Music of the Fourteenth Century, vol. 8. Monaco: Editions de l’Oiseau-lyre, 1972.

__________________, editor. Italian Secular Music, by Bartolino da Padova, Egidius de Francia, Guilielmus de Francia, Don Paolo da Firenze, in Polyphonic Music of the Fourteenth Century, vol. 9. Monaco: Editions de l’Oiseau-lyre, 1975.

__________________, editor. Italian Secular Music, by Andrea da Firenza [et al.], in Polyphonic Music of the Fourteenth Century, vol. 10. Monaco: Editions de l’Oiseau-lyre, 1977.

__________________, editor. Italian Secular Music: Anonymous Ballata, in Polyphonic Music of the Fourteenth Century, vol. 11. Monaco: Editions de l’Oiseau-lyre, 1978.

Massaro, Maria Nevilla. "Padua," in Die Musik in Geschichte und Gegenwart, second edition, edited by Ludwig Finscher. Kassel: Bärenreiter, 1997. vol. 7, pp. 1314-1319.

Nádas, John Louis. "The Transmission of Trecento Secular Polyphony: Manuscript Production and Scribal Practices in Italy at the end of the Middle Ages." Ph.D. diss., New York University, 1985.

Nádas, John Louis and Agostino Ziino. The Lucca codex. Lucca: Libreria musicale italiana, 1990.

Nemeth, George Louis. "The Secular Music of Johannes Ciconia." Ph.D. diss.: Stanford University, 1977.

Norman, Diana. Siena, Florence, and Padua: Art, Society and Religion 1280-1400. 2 vols. New Haven: Yale University Press, 1995.

Petrobelli, Pierluigi. "Some Dates for Bartolino da Padova." In Studies in Music History: Essays for Oliver Strunk, edited by Harold Powers. Princeton: Princeton University Press, 1968.

Pirrotta, Nino. Il Codico Rossi 215: Roma, Biblioteca apostolica vaticana Ostiglia Fondazione opera pia don Giuseppe Greggiati: studio introduttivo ed edizione in facsimile. Lucca: Libreria musicale italiana, 1992.

___________. "Il codice Estense lat. 568 e la musica francese in Italia al principio del 1400." Atti delle Reale Accademia di Scienze, Lettere, e Arti di Palermo IV/5 (1944-5).

___________. "New Glimpses of an Unwritten Tradition." In Words and Music: The Scholar’s View. A Medley of Problems and Solutions Compiled in Honor of A. Tillman Merritt, edited by Laurence Berman. Cambridge, Mass.: Harvard University Press, 1972. pp. 271-91.

___________. "Novelty and renewal in Italy, 1300-1600." In Studien zur Tradition in der Musik: Kurt von Fischer zum 60. Geburtstag, edited by Hans Heinrich Eggebrecht and Max Lütolf. Munich: Musikverlag Katzbichler, 1973.

Plamenac, Dragan. "Another Paduan Fragment of Trecento Music." Journal of the American Musicological Society 8 (1955), pp. 165-181.

Planchart, Alejandro. "Tempo and Proportions" in Performance Practice: 1. Music before 1600. London: Macmillan Press, 1989.

Prizer, William F. "North Italian Courts, 1460-1540," in Man and Music: The Renaissance. Edited by Iain Fenlon. Englewood Cliffs, New Jersey: Prentice Hall, 1989. pp. 133-155.

Pullan, Brian. A History of Early Renaissance Italy: From the Mid-Thirteenth to the Mid-Fifteenth Century. New York: St. Martin’s Press, 1972.

da Ravenna, Giovanni Conversini. Two Court Treatises. edited by Benjamin G. Kohl and James Day. Munich: Wilhelm Fink Verlag, 1987.

Reaney, Gilbert. "Machaut, Guillaume de," in New Grove Dictionary of Music, edited by Stanley Sadie. 20 vols. London: Macmillan Publishers, 1980. vol. 11, pp. 428-436.

_____________. "Perrinet," in New Grove Dictionary of Music, edited by Stanley Sadie. 20 vols. London: Macmillan Publishers, 1980. vol. 14, p. 547.

Schrade, Leo, editor. The Works of Francesco Landini, in Polyphonic Music of the Fourteenth Century, vol. 4. Monaco: Editions de l’Oiseau-Lyre, 1958.

__________, editor. The Works of Guillaume de Machaut, in Polyphonic Music of the Fourteenth Century, vols. 2-3. Monaco: Editions de l’Oiseau-lyre, 1956.

Stone, Anne. "Writing Rhythm in Late Medieval Italy: Notation and Musical Style in the Manuscript Modena, Biblioteca Estense, Alpha.M.5.24". Ph.D. diss., Harvard University, 1994.

Strohm, Reinhard. "Magister Egardus and other Italo-Flemish Contacts," in L’ars Nova Italiana del Trecento, no. 6, edited by Giulio Cattin. Atti del congresso internazionale "L’europa e la musica del Trecento." Certaldo: Polis, 1992.

______________. Music in Late Medieval Bruges. Oxford: Clarendon Press, 1990.

Van den Borren, Charles. Le manuscrit musical M. 222 C. 22 de la Bibliotheque de Strasbourg (XVe siecle) brule en 1870, et reconstitue d'apres une copie partielle d'Edmond de Coussemaker. Anvers: Imprimerie E. Secelle, 1924.

Wilkins, Nigel. "The Codex Reina: A Revised Description." Musica Disciplina 17 (1963), pp. 57-73.

____________. "The post-Machaut Generation of Poet-Musicians." Nottingham Mediaeval Studies, 12 (1968), pp. 40-84.

Ziino, Agostino. The Codex T. III. 2. Lucca: Libreria musicale italiana, 1994.